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Mountains, climate change, and cockroaches

Sometimes I wonder why so many disregard our earth, the air we all breathe, the oceans we share. Perhaps I worry too much. I think we’re very, very fortunate to live where we do. I’ll bet I wouldn’t care so much about earth if I lived in a slum area among cockroaches.

““Those who dwell among the beauties and mysteries of the earth are never alone or weary of life.”
~ Rachel Carson

Rachel Louise Carson (May 27, 1907 – April 14, 1964) was an American marine biologist and nature writer whose writings are credited with advancing the global environmental movement.

The window seat

rain and a window seat photo by Jan Timmons

“Rain is grace; rain is the sky condescending to the earth; without rain, there would be no life.”
~ John Updike

“A crown is merely a hat that lets the rain in.”
~ Frederick The Great

Unedited except to crop. Natural light.
Nikon D700, Nikkor 50mm 1/4 lens, f/1.4, 1/80, ISO 200, manual, spot metering, Manfrotto tripod. Converted from RAW/NEF to B&W jpeg using Nikon’s Capture NX2.

A tiny new world, and freedom

macro of tiny purple wild blossoms in Alaska, photo by Jan Timmonsmacro photos and flower photos with extension tubes offer, in this shot at least, something akin to life without my spectacles. I’ve been feeling a little grumpy recently, and realized that I’d confined my views of photography to proper rules. After spending yesterday viewing a tiny vine and even tinier blossoms with varying degrees of sharpness and aperture openings, from ultra blurred, as in the photo (left), to an aperture of f/67—what the remarkable macro lens is capable of—I felt freer. What or how did I confine my efforts to mountains or “representing Alaska”? Neighborly moose visit, photo by Jan Timmons
And why?
Please ignore the underlined links. I’m playing with a new site, which requires a specific code.

Unfurling

new cyclamen blossom unfurling photo by Jan Timmons After watching and photographing the slow unfurling of the cyclamen bud and flower, went to walk the dogs. Upon our return, sudden wings!

cyclamen flower in bloom photo by Jan TimmonsThis is a closeup looking up at the tiny, tiny fruit of a cyclamen flower—a round pod that opens with 5 flaps at maturity and containing numerous sticky, amber seeds.

Such fine tiny beauty doesn’t need any editing by me. These are unedited shots, playing with extension tubes and joy.

Cyclamen is a genus of 23 species of perennials growing from tubers, valued for their flowers with upswept petals and variably patterned leaves. Each flower is on its own stem, bent downwards 150-180° at the end. There are 5 petals, connected at the base, bent outwards or up, and sometimes twisted.cyclamen flowers in bloom photo by Jan Timmons

And now a word from another sponsor. cyclamen photos (I had to add this to try another website.)

That’s a lot of pink and magenta for someone who didn’t notice flowers or like those hues rather recently. Something’s happening, and I don’t know where I am going. Do you know what changes will occur for you?

Deleted shots

Oops. With sudden clarity, I realized the folly of my recent posts. I deleted the most recent shots from RedBubble. I almost deleted the account, but that’s an old habit I hope to overcome.

wristwatch on Howard Marsh at about 11 p.m. photoMeanwhile, the extension tubes are fun and the hills (mountains) are with the sound of buzzing mosquitoes as we approach the summer equinox. Sunset at 11:40 p.m., or 19 hours and 19 minutes of daylight.

The days become shorter slowly and then rapidly gain speed—five minutes of lost light a day. But then snow! Yippee!

Nude poppy


Nude poppy innards without petals. Untouched from RAW. Playing with extensions tubes is a hoot! Now I’ve had to order a micro rail from Adorama.com—but look at all the money VISA saved me by not letting someone fly to Spain on my card! (Not counting the other charges on PayPal the anonymous bloke charged.)

Nikon D300 and a Nikkor 50mm f/1.4 lens, 105mm, f/3.5 and 1/6sec, -0.3ev, IS0 100, manual exposure, manual focus. Manfrotto tripod, SB-800 flash slaved with attached Honl grid from left. Converted from RAW/NEF (14 bit) tojpeg using Nikon’s Capture NX 2.2.4. Using 36mmm extension tube.

Testing new extension tubes

Macro photo of poppy stamens by Jan Timmons
Poppy stamens and fluff closeup. Three brand new (one hour old!) Kenko extension tubes on the macro lens. UPS delivered the set from Adorama.com at 8 p.m. Good fun during a (lovely) rainy week. Rain feels good for the soul and dry mountains; tough on camera parts. The link has a mini-video about how the tubes work.

This closeup used:
Nikon D300 and Nikkor 105mm macro lens, 105mm, at f/22 and 5 sec, -0.3ev, IS0 200. manual exposure. Manfrotto tripod, softbox lighting. Converted from RAW/NEF (14 bit) to jpeg using Capture NX 2.2.4. Just a bit of de-saturation, since the poppy seemed too orange–at least to me.

The drenched poppies seemed bent and flattened; I felt only small qualms about plucking them. This is a very shallow (f/1.4) shot using a softbox to light them.

In my element

mountain ranges iPhone photo by Jan TimmonsA bluff with wind is my element, from which to view mountain ranges east, south, and the magnificent Alaska Range to the west across Cook Inlet (tide’s out) and many, many miles of marsh and bog. Of course an iPhone photo doesn’t do the scene justice, but neither do my more expensive cameras. I tossed a dog frisbee and tried not to take a photo.

Simply trying to be in the moment is a tough lesson to learn. At least for me.

Suggested “rules” of composition, part 1

Photographs often attempt to convey an emotion or story. Several ways exist to make a photo compelling. (Caveat: this photo barely exemplifies the “rules”. I’ll find a better one for each rule.)

Rule of Thirds (suggested, not really a rule)
rules of thirds on photo of orchid by Jan TimmonsBecause the human eye (in English-speaking countries, primarily) more readily goes to a point about two-thirds up a page, divide a photo into nine blocks and place the main subject(s) on the intersection points rather than in the center of the image.

Landscapes could look more pleasing to the eye using the Rule of Thirds and a low or high horizon line.

The Rule of Thirds means that the frame can be divided into three horizontal sections and three vertical sections. The intersection of the horizontal and vertical lines makes an ideal location for the more important parts of one’s picture. By locating the main subject at one of the four intersections, the subject has more emphasis than if it were in the middle of the picture. (Picture Control)

And, if the area of interest is land or water, the horizon line could look best, according to suggested rules of composition, two-thirds up from the bottom. If the sky is the area of emphasis, the horizon line could appear one-third up from the bottom, leaving the sky to take up the top two-thirds of the picture. (Photography composition)

Diagonal lines

diagonal rules on photo of orchid by Jan TimmonsDiagonal lines generally work well to draw the eye of an image’s viewer through the photograph. They create points of interest as they intersect with other lines and often give images depth by suggesting perspective.

They can also add a sense of action to an image and add a dynamic looks and feel. Also, rather than making a line go from the very corner to the opposite corner it’s often good to make them off-center and lead to either side of corners. “As with both horizontal and vertical lines, diagonal lines that are repeated through out an image can create very effective patterns that can easily become the subject of a photograph themselves. A recently plowed field or the ridges on a sand dune might be good examples of this.”

Read more about diagonal lines here.

Leading lines

A good leading line lures the eye deeper into a picture or to an important subject. Straight, curved, parallel, or diagonal lines help to promote interest. Examples include roads, rivers, streams, bridges, branches, or fences–lines with perspectives or vanishing points.

Lines pull one into the picture, toward the subject, or on a journey ‘through’ the scene. There are many different types of line—straight, diagonal, curvy, zigzag, radial, etc., and each can be used to enhance the composition.

–more tk–

Dancing with pens

fountain pens and ink photo by Jan Timmons“Dancing in all its forms cannot be excluded from the curriculum of all noble education; dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with the pen?”
– Friedrich Nietzsche

Writing with fountain pens—a disappearing style, do you think?